The Zulu traditions and culture are as much a way of life as they are a tourist attraction. The Zulu, which means people of heaven, are a proud nation that treasure their heritage, are friendly and always hospitable; displaying an unyielding loyalty to their inkosi (traditional leader). The Zulu language is rich and expressive, very often punctuated with distinctive click sounds.
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It was the emergence of the warrior King Shaka that united the amaZulu, forging feuding farmers and cattle herders into a proud and powerful nation. Proud Zulu TraditionsTake time while in the region to observe the daily customs of the Zulu people. While shopping for curios, you might purchase these from the Zulu women who crafted the goods. She will always pass the artefact to you using her right hand only. The palm of the left hand will be under the right forearm. This custom is significant, and serves to assure you that there are no hidden weapons and you have nothing to fear from her.
Dancing and singing is very much a part of the lifestyle of the Zulu people, and each dance formation or movement symbolizes an event or happening within the clan. There is the rhythmical dance of the smal shield, the fiery motivation body movements of the hunting dance, the symbolizing of the tidal ebb and flow in the Umbhekuzo, the snakelike motion of the umchwayo and the challenging war dance /umghubha) with traditional shield and spear. Also captivating for visitors is the opportunity to witness the disciplined and dignified social structure of a Zulu homestead (umuzi). Customs pertaining to food and the brewing of beer, ancestoral worship and places of burial, the dress code for men, women and children, the trole of the traditional healer (inyanga), the importance of a man's cattle, the system of compensating a father for the loss of his daughter in marriage (lobola), courtship, witchcraft and superstitions are still observed. The AmakhosiThe traditional head of a Zulu clan is the Inkosi. He is regarded by his people as a father figure - the source of their wealth and well being, the spiritual symbol of their tribe, and the man who determines the fate of his people. Ladysmith Black MambazoOne of the best known of all South African musical groups, Joseph Shabalala's Ladysmith Black Mambazo have played to universal acclaim both locally and overseas. In South Africa they have outsold the Beatles and Michael Jackson, received a cabinet full of merit awards and appeared on television throughout the world. The beginnings were not always easy. Joseph startet life in 1941 as a simple herdboy in the Ladysmith area. Twenty years later, after singing in a local restaurant he formed the Ladysmith Black Mambazo - literally „the black axe of Ladysmith". At their first concert in Soweto they became animmediate hit with local audiences, receiving the princely sum of R5,28 each and 4 % royalties on sales for their efforts! Internationally they were relatively unknown until „discovered" by Paul Simon on his visit to Johannesburg. Through the Paul Simon album Graceland, the distinctive sound of the group exploded onto the international music scene. Joseph gave Paul Simon the Zulu nickname Vulindlela - he who has opened the gate.
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The
During the 16th and 17th centuries the Nguni moved
south, and a small group settled in the fertile valleys of Zululand. One of
the settlers was Malandela, whose wife Nozinja bore him two sons, the second
of which was named Zulu (Heaven). He was, by all accounts, a spirited and
determined young man, and his marriage signalled the beginning of a new
clan, with all their descendnts proudly perpetuating the name of Zulu.
A popular souvenir for visitors is Zulu beadwork. One
of the most fascinating manifestations of this traditional craft is its
unique language. Every colour has a different meaning and a Zulu women can
weave a message of love, grief, jealousy, poverty or uncertainty into her
patterned creation. Young Zulu girls, in particular, use the vocabulary of
the beads to send sweet (or bitter) thoughts to their loved ones.
The military influence of the Shaka regime is
reflected in demonstrations of stick fighting (umshiza), with which the male
teenagers and men settle their personal differences in a public duel; while
a spirit healer (sangoma) plays a respected and meaningful role in the life
of a Zulu community by using roots, herbs, bark, snake skins and dried
animal parts to reveal the past, predict the future and cure ailments.